It was Niggaz4life , by N. Billboard had published an album chart for 45 years, but this marked a historic week: It was the first time that a rap group claimed the top spot on the Billboard For several years, music historians have considered this, the consecration of rap on mainstream music charts, the watershed moment in modern music, marking the death of hard rock and the dawn of a period where hip-hop has merged with several genres, including country, dance, and even alt-rock, to become the modern sound of pop. Now the theory gets some quantitative cred. New analysis from researchers in the United Kingdom, who studied the chord structure and sounds of 17, songs in last half-century, determined that marked the most significant revolution in the history of modern pop music. It's something to reach back in time and take the temperature of astonished music critics in the early s.
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G enre is dead; all hail the new masters of global, category-defying hits from artists old and new. Rendered in minimalist, twanging piano chords and tightly-wound vocals, it swings from breathy devastation to high notes of carefully controlled keening. It also marks her return after nearly three years of absence from music, foreshadowing a new openness in work to come. While California hip-hop has witnessed a fearsome revival over the last few years, its community was struck by tragedy when Nipsey Hussle, one of its titans and fiercest advocates, was shot dead in Crenshaw in March. The song distills reggaeton to its purest composite parts, with Guaynaa locking into an infectious flow and gliding over the complicated syllables with the ease of an Olympic skier. He fanned the flames of an online cowboy craze and boosted his reach with a social media fluency, a cunning sense of humor, and a perfectly-chosen saddle partner in Billy Ray Cyrus. That is to say, it sounds like the future of global pop music.
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